【羽生結弦】フィギュアスケートの天才なのはいつからなのか⁉️幼少期の才能原点驚愕🔥エピソードから検証💡 - NPBHUB

【羽生結弦】フィギュアスケートの天才なのはいつからなのか⁉️幼少期の才能原点驚愕🔥エピソードから検証💡

Hello. It’s Hanyu. Hello. It’s Figuemon. Today, I’d like to explore a theme with you all: Yuzuru Hanyu. Many people will immediately recognize his name as an incredible figure. What is contained within the word “amazing”? Perhaps it’s his genius. This begs the question: When did he become a genius? Did he achieve this status through hard work at some point? Or was he a genius from the moment he was born? In today’s video, we’ll explore the origins of Yuzuru Hanyu’s talent, based on testimony from his coach and authentic anecdotes. This is more than just a success story. Why does he inspire people not only in Japan, but around the world? Let’s unravel the reasons, one by one. By watching the video to the end, you’ll discover what makes Hanyu truly amazing and when he became a genius. At the end of the video, I’ll continue my ice show review from my visit to the Echoes of Life Hiroshima performance. Please enjoy until the end. This channel will regularly feature topics related to professional athlete Yuzuru Hanyu. What are you doing? If you support Yuzuru Hanyu and want to enjoy a happier life, please subscribe. It’s like you’re hooked. By subscribing, you ‘ll receive notifications about upcoming live streams, premiere video announcements, and community broadcasts. Really? Yes. This community irregularly posts real-time information. Be sure to subscribe now so you don’t miss out on live stream information. Yes. Also, with the membership program launched in September 2021, we’re offering more in-depth information, exclusive to members. We hope you’re enjoying it. If you’re interested in the membership features, please click the Become a Member button or the membership link in the description to see the details and benefits. Genius is determined at birth. A blueprint for body and mind. Now, let’s take a look at some stories that demonstrate Yuzuru Hanyu’s genius. It’s cool. Yuzuru Hanyu is not someone who can be explained simply by accumulated effort. His genius was already designed into his body from the moment he was born. He has a small head, long limbs, flexible joints, and an incredibly straight posture. This excellent balance is directly linked to the stable axis and beautiful lines required for figure skating . In other words, Hanyu’s skeletal structure was designed to look his best on the ice. As a long-time figure skating fan, I personally feel that skeletal structure plays a key role in competitive figure skating. For example, a child with short limbs, a large head, and a generally bulky skeletal structure can be compared to a child with Hanyu’s long limbs, a slender skeletal structure that is perfectly balanced without feeling too long. Whether male or female, when it comes to the ease of performing the difficult jumps required to score points in competitions, a child with Hanyu’s skeletal structure has an advantage. This is undeniable. But that’s not all. When Hanyu first stepped onto the ice at age 4, he showed another talent not found in ordinary children. His coach at the time, Mami Yamada, said: ” He was incredible from the very beginning.” A four-year-old child would normally be scared, so they would be made to crawl into the rink and then be helped to stand. But Yuzuru put on his skates, ran onto the rink , and ran all the way to the middle. A typical first-time skater would be too scared to stand on the ice. But young Hanyu wasn’t afraid of the ice; he started running. His brain was designed to prioritize curiosity over fear. This is a structural talent that can’t be acquired through hard work. From that moment on, skating didn’t equate to fear for him, but to freedom. That’s why, no matter how many times he fell, he never gave up on challenges. This incident at age four was the first proof of his genetic strength that overcame his fears. But another force was already at work at this time: the flow of fate. Hanyu suffered from childhood asthma. Because outdoor sports were difficult for him, his family chose skating, an indoor sport. Without this small choice, the world might never have seen his incredible feat on the ice. Looking back on this episode, I believe genius isn’t born from hard work and talent, but from a guided flow. Yuzuru Hanyu was truly destined to encounter skating from the moment he was born. That was the beginning of his genius. He constantly surpassed the impossible. A thinking genius. You can tell that Yuzuru Hanyu is a skating genius not just because he wasn’t afraid, but because he puts all his effort into it. His body understood it even before he learned it. When Hanyu was still a young child, his coach, Mami Yamada, had an astonishing experience. One day, after being taught how to do a single-revolution Axel, Yuzuru immediately demonstrated it on the spot. He instantly understood the technique (one and a half revolutions) , already possessing the mind and body to reproduce it. Mastering a jump typically takes weeks, sometimes months. The approach, takeoff, mid-air position, and landing— this entire sequence of movements—is usually understood mentally and then memorized by the body. However, as soon as young Hanyu heard the explanation, his body immediately understood the movement. This is proof of a genius whose mind and body are directly connected. This intuitive understanding would eventually take shape as the astonishing evolution of his jumps. There’s one essential episode in any discussion of Yuzuru Hanyu’s genius. It was during the All-Japan Junior Training Camp held in Nobeyama, Nagano, in the summer of 2008. It was there that the then 13-year-old Hanyu met the 17-year-old Mao Asada. She was the only woman at the time who could land a triple axel. Watching Mao Asada’s triple axel up close, Hanyu was astounded. It wasn’t power, but a soft, airy jump that seemed to float with instinct. Watching Mao’s triple axel, he realized that it didn’t take much force to land it. This realization represents the true essence of Yuzuru Hanyu. He is someone who can accurately replicate with his body what he sees with his eyes. He understands with his senses and body before logic. In other words, he is a genius whose talent is unlocked through observation. The moment he saw Mao Asada’s jump, his brain captured the jump’s structure as an image, and his body unconsciously reproduced it. After seeing that triple axel , young Yuzuru Hanyu landed his first triple axel at Chukyo University Ice Arena on August 3, 2008. Three months later, he landed his first triple axel in an official competition in the Sapporo short program at the East Japan Junior Championships. At 13 years old, he was the youngest male skater to land a triple axel at the time. Looking closely, he also incorporated the triple axel he’d landed just a few months earlier into his free program. Unfortunately, it didn’t work out in the free program, but it shows his determination to quickly incorporate an uncertain jump into his program. This record wasn’t simply a sign of technical progress; it was proof of his genius , able to visually understand and instantly transfer the skill to his body. Hanyu’s “modeling ability” would manifest itself throughout his entire skating career. The Cricket Club (Canada) would become his training base for the longest time during his senior career. Hanyu explained why he chose this location: because Javier Fernandez, who performed beautiful quadruple jumps, was there. Many people are familiar with this story. He not only had a high level of modeling ability, but he also recognized this fact. His ability to transform other people’s movements, music, light, wind, and other information from the outside world into his own body and sublimate it into expression extended not only to jumps but also to spins, steps, and the entire performance, resulting in the vitality of his performances that move the hearts of all who watch. Hanyu himself has recounted the story of how he perfectly copied Johnny Weir’s spin, known for its beautiful spins, and mastered the expression within the spin. For Yuzuru Hanyu, seeing Mao Asada’s triple axel was not just an inspiration, but an awakening of his talent, moving from observation to creation. From then on, he evolved from simply imitating others to reconstructing what he saw. Looking at it this way, Hanyu’s jumps are not simply an evolution of technique, but also of thought. At what angle should he jump? At what height should he pivot? He constructs his movements not by intuition but by consciousness and calculation. Hanyu’s jumps combine the reason of a scientist with the sensibility of an artist. This is why his performances transcend technique and become works of art. And his coach, Mami Yamada, said that his body understood the moment he heard that first step, that one-and-a-half-turn Axel, was the starting point for all the evolution that followed. He becomes one with the music. He has the gift of self-absorption. Yuzuru Hanyu’s true greatness lies in his ability to transcend technique and reach expression. For him, every element— jump, spin, step— is not movement but expression. This origin lies in the amateur horse racing program he skated at his first competition at the age of five. His skating technique was still immature, and his movements on the ice were clumsy. Yet, the moment he heard the music, he entered his own world, using his body to perform something. His coach at the time, Mami Yamada, recalled: With his small body, he would shake his head, move his hands, and express his inner world. He already enjoyed performing. Even at this age, he possessed an instinctive ability to become one with the music. Yuzuru Hanyu doesn’t listen to music; he feels it. He lets the melody flow through his body and releases it as movement. This later led to the overwhelming immersive expression known as self-absorption. The Japanese term “self-absorption” is often associated with the word “narcissist. ” Some Japanese people who heard this might have thought, “He’s calling Yuzuru Hanyu a loser, even though he’s just a fan.” However, self-absorption is the most essential element of figure skating that Japanese figure skaters have lacked until now. Has there ever been a Japanese figure skater as skilled at self-absorption as Yuzuru Hanyu? Huh ? (Hanyu Yuzuru’s voice) The answer is no. I can confidently say that this ability to narcissism is one of the reasons Hanyu became Japan’s first Olympic gold medalist. This is because it is this power of self-absorption that can move the emotions of those watching. During his performances, Hanyu does not simply move to the music, but appears to inhabit it. This immersive quality is what captivates audiences worldwide. Take, for example, his 2012 Romeo and Juliet program. In this program, he used his entire body to express the emotions of Romeo, a boy who risks his life for love. After the performance, his coach, Brian Ser, said: ” He skates, feeling every bit of the music. Once he steps onto the ice, our voices no longer reach him. He is completely immersed in his own world.” This self-absorption is the source of Yuzuru Hanyu’s expression. He is not performing, he is living. His talent reached its peak in “SEIMEI” at the 2018 PyeongChang Olympics. His movements seemed to synchronize with the soul of Abe no Seimei, the onmyoji (Japanese fortune teller). From the sound, the pauses, the breathing , and even his gaze, it was as if he were the music itself. One overseas commentator commented: ” He doesn’t perform to the music. He becomes the music. ” Behind this expressiveness lies calm analysis. Hanyu has thoroughly studied musical composition, moving with a full understanding of beat, tempo, sound pressure, and emotional waves. In other words, his ecstasy is not driven by emotion, but a fusion of reason and sensation. It is as if the director and the performer coexist in one body. Hanyu expresses physics through his jumps, emotion through his performance, and soul through his music. His genius lies not in technique or expression, but in his ability to play all of these things with the instrument that is himself. Yuzuru Hanyu the skater truly lives in harmony with sound. His power to transform wounds into beauty. His spirit honed through suffering. The essence of Yuzuru Hanyu the skater cannot be summed up in mere success or talent. His skating is imbued with memories of pain. During the six-minute practice for his free program at the 2014 Cup of China, he collided violently with another skater. He returned to the rink with facial injuries and blood streaming from his head. His words at the time made me feel like something within me was being tested. He couldn’t forgive himself if he didn’t skate. No one knew whether it was right to continue performing, but he took to the ice of his own volition. His subsequent, wobbly performance, but still able to finish, was etched in the memories of fans around the world. This incident symbolizes the essence of Yuzuru Hanyu, a skater who transforms pain into strength. He didn’t just get up; he transformed that pain into his work. At the 2017 World Championships , despite struggling after recovering from injury, he came from fifth place in the short program to win. He said, “I hope my skating can inspire others.” What he felt at that moment wasn’t the joy of victory, but proof of rebirth. The memory of his pain deepened and warmed his expression. It was at the 2018 Pyeongchang Olympics that he underwent a decisive transformation as an artist. A season-long injury limited his practice until the competition, but he said, ” I’ll do everything I can with all my might. That’s everything to me.” These words embodied Yuzuru Hanyu’s philosophy, which prioritizes lifestyle over results. The program he chose was “SEIMEI,” a tale of yin and yang, light and shadow. This theme was his own life. The reason Yuzuru Hanyu has continued to reach the pinnacle of his world stature is not talent or hard work, but his ability to transform suffering into beauty. Falls, injuries, despair— all of these were material for him. He wasn’t afraid of pain, but rather sought the truth that lies within, expressing the light and darkness of humanity on the ice. When did he become a genius? The answer to a destiny that was guided by him. We’ve traced Yuzuru Hanyu’s talent, thoughts, expressions, and spirit to this point. But one question remains: When did he become a genius? The answer doesn’t begin from the moment he was born. But it’s not just the result of hard work either. Yuzuru Hanyu’s genius began the moment he was guided by it. From his early childhood, his life was marked by a sequence that seemed too far-fetched to be coincidence. Suffering from asthma, he chose to pursue skating as an indoor sport. He met his coach, Mami Yamada, who recognized his talent. Then, in the summer of 2008, he witnessed the genius of Mao Asada, a role model for him. It was then that he understood that jumping is about feeling, not strength, and he awakened to the ability to observe human movement and replicate it with his body. It was at that moment that the genius that is Yuzuru Hanyu was awakened. His innate talents were unfolded through his environment and encounters. It was as if an invisible hand was guiding him step by step. Then, in the 2011 earthquake, he lost his rink, but the boy who said, “Skating was everything I could do,” experienced that ordeal and came to understand his mission. For him, skating became not just a means to victory, but the very meaning of life itself. From then on, his life unfolded as if tracing a divine blueprint. He met his mentor, Brian Orser. He became the first person in the world to land a quadruple loop. He then attempted a quadruple axel at the Beijing Olympics. None of this was a series of coincidences, but rather a necessary outcome, following the flow of fate. Yuzuru Hanyu believed in the flow and lived his best self in each moment. That’s why we can say this: He was born with talent. But through encounters and choices, he transformed into a genius. In other words, Yuzuru Hanyu’s genius is not a fixed talent, but a living organism-like talent nurtured by the fusion of fate and hard work. At Notte Stellata in 2023, he said, ” I’m happy if my skating can be a light for someone.” The answer lies in these words. His genius evolved into illuminating others’ hearts. Yuzuru Hanyu was not a born genius; he was guided to become one. This was not hard work or a miracle, but the result of sensing the flow and making consistent choices. And now we know that Yuzuru Hanyu’s genius was not innate talent, but the power to respond to destiny. So, from here, we ‘ll begin the first day of Figuemon Fan New Life’s Echoes of Life Hiroshima performance on January 3rd. This is me meeting up with the other members in the morning and eating soba noodles for lunch. The white thing here is rice cakes. Apparently, fried rice cakes make you feel like you don’t want to go to the bathroom, so that’s why I was eating them. I snapped a photo in front of the main visual, and here’s the merchandise. I had fun taking this photo, noticing how the merchandise was arranged differently at each venue . Being able to see the merchandise up close made it easy to see what kind of things I wanted. Yes. Figuemon had arena seats that day, so I entered from the first floor. Since it was the only day on the first floor, I wanted to get a good photo. There were a lot of key visuals up , just like from the outside . And since it was an arena seat, this is the front. There were about seven rows of arena seats, and Figuemon was in the second row that day, so he was facing his seat, but he was surprised at how close the rubble was. It was so close that in some places, there were staff there to prevent the audience from touching the rubble. You can see that the lady holding this placard is right next to the rubble. Yes. This video was taken at 3:56 PM, and I remember being so excited while taking this video. I was thinking, “Wow, I can see it so close!” Yes . I think the atmosphere varies greatly depending on the venue, but this is the Green Arena, so it’s lit up in a green light. Looking up at the ceiling , there were all these doors hanging down, which I imagine would come down later. Wow. Yes. It’s so beautiful, isn’t it? I remember taking quite a few photos of the ceiling, thinking it was so nice to look at . This is the entrance. I thought, “That’s where Hanyu is coming out,” and thought, ” He’s so close, so close.” Yes. The area where Eleven Play dances is also pretty close. I think it looks so real. I was taking these photos because I had this pink wristband that day , so I felt like I had to take a commemorative photo. I just wanted to stay there forever, and for it to never start. The excitement at that moment is incredible. I think it ‘s something you can only experience at this time. From the front of the Figuemon seats, the view looks like this. Well, you can see a little closer. And then the first half ended. Yes. It felt like Hanyu had just appeared, lingering on the rink, right? The feeling that he was there seems different on the ice now than it was before the show started . So I came to the other side. I wondered what it would be like, and there was a place with equipment like this . I imagined the view would be different in many ways. And this is just before the second half began. I think there was steam coming out from the left, and that created the feeling that “It’s about to start!” And this is the ice at the end of the performance. It’s beautiful. It’s incredibly beautiful. I left the rink thinking that the ice was amazing , at 8:02 PM. I think it was right after the show ended. Those who saw the Kanto performances probably thought the same thing, “There seem to be a few people here, don’t you think?” It’s so spacious. The design of this venue is really spacious. Yeah. I thought it really does differ depending on the venue. And this main visual seen at night. It was beautiful. It had a ginkgo feel. And now the next day. January 4th. It was a day off, so I took this photo while planning to have breakfast at the Rihga Royal Hotel. There were so many types of bread, right? There was also lots of jam. And it was pretty crowded. Ham and cheese and other things looked so delicious. And this type of dressing. It’s crazy. There were so many, it was hard to choose. And then there was this super fresh salad. It has a nice color, doesn’t it? It feels fresh . And this is miso soup. Yes . I think it’s red miso. Yes. And this is curry. Curry. Wow, nice color. As you’d expect from hotel curry. Looks so delicious. Yes. I think this was clam chowder. So, this is Hiroshima-yaki. Wow. This is my first time seeing Hiroshima-yaki in a hotel. And the sausages look delicious. Oh, the sauces are like this, with okonomiyaki sauce placed next to it. As expected. And bacon and tamagoyaki (rolled omelet) and so on. Of course, they have the standard breakfast items, too. And they have a variety of things like this. As expected. Absolutely as expected. This is a place that makes thick-cut bacon and tamagoyaki (rolled omelet). It ‘s nice . It says Stand Cook or something. I ordered Figuemon. It’s like, “Nice to meet you. ” And potatoes and pudding, I guess. Here are the drinks. There are a variety . And this is a barrel. Is it for dinner? Is it wine for dinner? Is this also a beer server? The green juice and milk look incredibly delicious. You can tell from the color. It’s different from how delicious it looks . I think it’s a well-run place. The cereal is stylishly placed, and there’s unlimited coffee. Yes. Oh, I came back just as the egg was almost ready. Wow , it looks delicious. That’s great. I’ll have it made for me. And some thick-cut bacon on top. Oh, thank you. It looks delicious. And this sauce. This sauce looks so delicious, so I’ll pour it on. It’s the kind of color you’d often see at an omelet restaurant like this. (Mentaiko sauce), right? I’m pouring this on. Looks delicious. Amazing . It’s done. I’m looking forward to it. I’m looking forward to eating it. It’s amazing. It felt like the place was almost full. It was packed with people. I’ll take it to my seat. I brought so much, it’s a bit of a mess. Will I really be able to eat it all? It’s too much. But it was so delicious. I’m happy to be able to eat Hiroshima-yaki. I was only able to show you part of this fun new life in Hiroshima Echoes of Life this time, so I’ll show you the rest next time. What did you think? Did you enjoy it? Today, we explored when Yuzuru Hanyu became a genius and shared some amazing stories from his childhood. We also have a previous video looking at Hanyu’s five talents in figure skating, so please take a look if you’re interested. We also shared our observations from the Echoes of Life Hiroshima performance, which took place about a year ago. Watching the video, I felt that Yuzuru Hanyu’s ice shows, especially his solo ice shows, were truly exciting . What did you think? Please leave a comment about this video if you like. I really enjoy reading your comments. I’ll reply when the timing is right, so please leave a comment. See you in the next video. This was Figuemon. Bye.

オリンピック金メダル2連覇の羽生結弦はいつから天才だったのか？
その答えを、幼少期からの貴重な証言と記録から紐解きます。
転倒を恐れないフィギュアスケートとの出会いから現在までの才能の原点は何だったのかを検証していきます。
そして2008年、浅田真央のトリプルアクセルを見て「力は要らない」と気づいた瞬間──天才の歯車は動き出しました。
ここから何の才能が覚醒したのか？
ジャンプ・表現・精神・運命。そのすべてが導かれるように進化し、彼は“努力を超えた存在”へ。
SEIMEI、Hope & Legacy、notte stellata…羽生結弦という人間の「天才の原点」に迫ります。